Wednesday, March 8, 2017

Star Trek Review - The Corbomite Maneuver

The Corbomite Maneuver (Season 1: Episode 10Production Episode 3)

When I reflect on Star Trek in its various incarnations, I often think of teamwork and intriguing ensembles of characters.  Yet upon rewatching The Corbomite Maneuver, I’m struck by how much the early episodes of the original series center around Captain Kirk.  Almost everything in the show seems structured to highlight the boldness, importance, and strength of this singular main character.  Spock is an effective foil but not yet the brotherly friend of later episodes.  McCoy is a kind of mentor, but Kirk is more than ready to challenge the older man and remind him of his subordinate position in the ship’s hierarchy.  The later pseudo-equality of this fascinating trio has not yet been fully established.

Kirk’s centrality is reinforced in other ways.  His physicality is highlighted by his shirtless scenes at the start of the episode, while his competence is contrasted with the immaturity of his protégé, the panicky helmsman, Bailey.  Even the starship is personified into a subordinate position: when McCoy teases him about sexual self-restraint, Kirk responds that he’s already got a female to worry about (“Her name’s the Enterprise”).  The whole plot of the episode pivots on Kirk’s tough-guy bluff about Corbomite.  All of this helps to establish Kirk as a heroic man of action, albeit in a way so exaggerated that it almost toys with the camp and the absurd.  In any case, I still prefer the multivalent character dynamics of later episodes, when Kirk, Spock, McCoy are more comfortable with one another, more playfully antagonistic as they spar and support each other.  Along the way, other characters like Scotty, Sulu, and Uhura also rise in importance.  Kirk is always the fulcrum of decision-making, the embodiment of the thoughtful but decisive leader – but it seems to me that he grows in stature, rather than diminishes, as the series progresses and the other members of the spacefaring team become more prominent.


There’s a lot of filler as the crew frets about whether the ship has enough power, or is using too much power, or is being overpowered.  In the end, though, we get that cool meeting with a weird and enigmatic alien.

And now, your moment of Trek friendship:

Spock: Has it occurred to you that there’s a certain… inefficiency in constantly questioning me on things you’ve already made up your mind about?
Kirk: It gives me emotional security.

Image: IMDB

Friday, March 3, 2017

Star Trek Review - The Naked Time

The Naked Time (Season 1: Episode 4)

This is, of course, a memorable and even iconic Star Trek episode.  What intrigues me about it is the way it manages to mix serious science fiction (the creepy insanity virus), comic relief (“Richelieu, beware!”), and deep psychological mediation (the revelations about the psyches of the crew members).  There are some wonderful examples of set design and cinematography, such as the stark and menacing blankness of the frozen observation post, or when the camera pans slowly around Spock as he breaks down and starts weeping.  There are moments of real drama, too, as when Kirk repeatedly slaps Spock in an attempt to break his condition, and Spock finally decks him in return – or when Kirk struggles to keep his rationality as he is overcome with longing, frustration, and doubt.


Much could be said about the psychological portraits of the crew as they suffer the effects of this “space madness,” but I want to point out a different element of the episode.  It reveals the extent to which the show is unabashedly theatrical and wildly melodramatic: Kirk babbling “Flesh woman...”, Sulu’s shirtless and delirious fencing, the way the camera pans out at the end of the episode – away from the crew gathered around the captain’s chair.  This episode seems determined to remind us that the Enterprise isn’t just a ship… it’s a stage.  This is Cosmic Shakespeare through a filter of pulp adventure, seasoned with a sprinkling of camp absurdity.  What can one say, except “Long live Stark Trek”?

And now, your moment of Trek friendship:

Scene: Riley sings drunkenly over the intercom, creating an atmosphere of chaos on the bridge.

Kirk [sharply, to Uhura]: At least try to cut him off!
Uhura [angrily]: Sir, if I could cut him don’t you think I'd… [pause, then more calmly] Yes, sir, I’ll keep trying.
Kirk [calmly, sincerely]: Sorry.
[Uhura smiles with tenuous relief but also a kind of delicate depth.]

Image: IMDB

Note: At the moment, I'm not going to try to cover every episode, just the ones that particularly interest or inspire me.