Many people go to Star
Wars films looking primarily for action and adventure. That’s fair enough, but Star Wars has always offered beauty as well as heroic combat. Think of Luke gazing at the twin suns on Tatooine,
of the music as Yoda raises the X-Wing in Empire,
of the haunting clash of Luke and Vader in Return
of the Jedi, or of the lightsaber gleaming in Rey’s eyes as she connects with the
Force at the end of The Force Awakens.
The Last Jedi is a
truly beautiful film. There are obvious
elements, like the scenery provided by the sacred island on Ahch-To or the dream-like crystal foxes. Yet consider the other intriguing ways that beauty
is explored through imagery, character, and narrative.
The beauty of brokenness. Luke is broken with guilt, but as the light
shines on him in the meditation temple, his rough face is like a monument to
pain – a war memorial of the soul. Rey
is broken with doubt, but in her vulnerability she can see past her hatred for
Kylo Ren and reach out for the man who had been Ben Solo (even if Snoke is
manipulating her, it is still a moment of purity and nobility). Leia is broken with many losses, but just
when she is ready to give up hope, Luke returns and provides her with a
transcendent moment. The “breaking” of
the corrupted Canto Bight by the rampaging fathiers provides the opening for
the beauty of their freedom in the wild, facilitated by the kindness of Rose. Holdo’s sacrifice physically shatters the Supremacy and for a moment the searing
light of hyperspace is a sword blow that brings hope to the beleaguered
Resistance. The damaged throne room, its flames and sparks drifting through the air, becomes the stunning backdrop for
Rey’s crucial rejection of Kylo’s sinister offer.
The beauty of tension. When Luke describes the Force to Rey he
emphasizes that it is something that exists between the light and the dark,
between life and death. It may be a kind
of balance, but it draws together opposing forces. And there are other beautiful forms of
tension in the story. Learning is about
tension, the film seems to suggest. As
kind and noble as Luke may have been at his best moments, he still needs one
more lesson from Yoda – complete with a playful rap on the head from Yoda’s
staff. The tension between Rey and Kylo may
not be beautiful in itself (for there are ethical issues at stake here), but it
draws them together in two radiant moments: their finger “kiss” and their
two-as-one battle against the Praetorian Guard.
The beauty of gentleness. Despite being part of a franchise named after
wars, The Last Jedi illustrates a
remarkable attention to small, gentle gestures.
Look at the joy on Rey’s face as she extends her hand to catch a stream
of water pouring off the Millennium
Falcon. When Rey and Kylo connect
through the Force, their fingers touch in a manner that is just about as soft
and subtle as is possible for human contact.
Rose’s kiss for Finn may have seemed to lack passion, but the battle was
hardly a moment for that sort of thing, even if Finn had been prepared for
it. Instead, this was a gentle sign of
affection, like Leia’s quick “for luck” kiss of Luke on the Death Star.
The beauty of defiance. The beauty here comes not from selfish
egotism but from collective effort on behalf of the dignity of the
individual. When Paige spends her last
effort to launch the bombs at the dreadnought, it’s an act of defiance against
a tyrannical movement that she cannot defeat alone – but also a meaningful
contribution to a larger cause. When
Rose futilely tries to break from the grasp of stormtroopers to get at DJ, it’s
not because the codebreaker betrayed her and Finn, but because he sold out the
whole Resistance. Poe even goes so far
as to stage a mutiny on the Raddus,
yet Holdo and Leia later declare that they still like and admire him, for his
heart is in the right place even if his judgement has not yet fully
developed. Finally, when the abused
stable boy looks to the stars and lifts his broom like a lightsaber, we know
he’s ready to fight for freedom.
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